Showing posts with label 6x6. Show all posts
Showing posts with label 6x6. Show all posts

Wednesday, February 20, 2013

Peeking from the Shadow

This is my favorite coffee cup.  The day I painted this, the cup went directly from serving me coffee to serving as a model.


Tuesday, February 19, 2013

Stretch Harder

Holy cow! I just looked back in my blog to find my last still life, and it was November 13 -- 3 months ago!
Even though it had been months, I took the bull by the horns and went for glass AND a flower!  Probably my favorite color scheme:  turquoise and red.  The vase is actually greener than I painted it, but some Phthalo blue found itself in the green I was ready to paint.  I liked the way it looked, so I left it.

   


Tuesday, November 13, 2012

Egg Under Easy




Back in May, during Carol Marine's workshop, I photographed most of her still life set-ups.  Last week on my lunch hour, I decided to paint her still life set up featuring a raw egg from my photograph (with her permission).  I have to say that I would have preferred to do this from life because I struggled a bit with getting the colors accurate, particularly the egg "white".  However, this was on my lunch hour, so a photograph was what I had, and a raw egg isn't really something I could set up on my lunch hour!

Here is my photograph of her set up:





Wednesday, October 24, 2012

SOLD - Blood Red

I experimented with several things in this painting.  (1) I used a dark background which is a bit out of the ordinary for me, and (2) I used a new medium by Gamblin called Neo Megilp.  The Neo Megilp gives an incredible shiny finish to the paintings that I am very happy with.  I wasn't quite sure what to name this one, so Blood Red it is!

Also, I have struggled and struggled with getting good photos of my paintings, and I've resorted to scanning them after they have dried until I find another solution.




Tuesday, September 25, 2012

Punta della Dogana (after Maggie Siner) - NOT FOR SALE

I love architecture.  Even more, I love the way Maggie Siner paints the beautiful architecture in Venice and France.  I used Maggie's painting of Punta Della Dogana to guide me for painting semi-abstract architectural structures. I am very happy with the result, and intend to hang this one on my wall and use as a guide for future paintings.

Tuesday, June 5, 2012

Swim Charlie Swim! - SOLD


Has anyone out there seen JAWS as many times as I have?  When I set up this little still life, a scene from JAWS popped in my head.  Two guys are trying to catch the shark for the reward and one of them gets pulled into the water with a piece of the pier.  When he starts swimming back to the pier, the guy in the "safety zone" sees the ominous fin behind him and yells "Swim, Charlie, Swim!"  That's what I thought of when I positioned the one cherry so that the "pier" (or boat) is just a knuckle away from safety.


Monday, June 4, 2012

Barbershop Forkette -- SOLD

I was still having fun with forks yesterday, and found four very different types of forks in my silverware drawer. This painting is one of the ones that I have liked the most.  I like the composition and the highlights in blue.

Sunday, June 3, 2012

My Fourth Day at Carol Marine's Workshop

I had a ceramic bell, so that's what I went for.

Here are the paintings that I worked on.  I had a hard time with the bell initially, but worked on it again and was finally happy with the bell.  The problems were a couple of things.  First, I had bought some Galkyd to use as a medium which dries incredibly fast.  Not a good idea in the dry Sedona climate, and not a good idea when paintings need to be adjusted.  So I had to start over on a whole new panel!  Second, my drawing was way off.  
WONKY BELL






The second time around, I got the drawing of the bell right.  Carol had spoken about the ellipse.  She continued her drawing right off the panel, and this really helped with my 2nd bell.  Frustration wasn't the word because I was almost in tears with frustration with that bell!  
BETTER BELL

The bell painting isn't isn't finished, but I will finish it.  I also photographed my set-up.

Carol's set-up





Beginning of Carol's demo
Carol painted such a lovely demo when demonstrating the glass! In my previous post, I included a picture of the painting that Carol did after the workshop that wasn't a "demo" per se since the entire class was not there, so the morning of the 4th day at the workshop, her demo was glass. 


What I loved about the demo was the restraint used.  Just a little pop of yellow in the middle of the daisy.


In the past, I have painted with tons of color.  My understanding is that this is common for beginners.  This little painting was just darling.  Form the flower by painting the negative space around the petals instead of seeing all the different petals.  Suggest them.  Don't define them.  Strangely, today we fixated on comfortable bras.  This probably wouldn't have happened if there had been any men in the class.  LOL.  Such a fun group.
Finished product






My Third Day at Carol Marine's Workshop

The third day we focused on brushstrokes and composition.  Our exercise was the "no fussing" exercise.  It was one of the few paintings that I actually finished.  Every stroke was a different color even if it was slightly different:  altered with white or grayed down.  It's a great exercise for getting your brain out of the habit of "fussing".  The painting should end up looking like a mosaic.  I had actually tried this exercise from one of the Dailypaintworks Challenges and named my blog Mosaic Hippo as a result since it was the first painting on my blog!

Upon Carol's recommendation, a bunch of us visited the Windrush Gallery in Sedona.  What a visual feast!  Afterwards, a few of us returned to the Sedona Arts Center for some after the workshop painting and a glass of wine.

Carol was gracious enough to paint some glass for us and produced this beautiful morsel.

Fork it Over -- SOLD

Yesterday, I went on another "Still Life Item Quest".  Initially, I only intended to visit what was an awesome Flea Market in Santa Monica.  At some point, the Flea Market changed locations, and can now be perused in less than five minutes!  Since that wasn't satisfying, I continued my quest to Out of the Closet thrift store, 99 Cent Store, and CVS looking for items to paint.  I found a vase, a few cups and plates at Out of the Closet, made my way home and painted this.  I'm pretty happy with it even though I fussed too much with the pear.

Friday, March 2, 2012

Red Simba - SOLD

I painted an oil version of the same horse I painted a couple of entries ago.  I do love my oils, and I definitely prefer this one.  Normally, I don't use a lot of Cadmium red.   I usually use only Quinacridone red.  I used a bit of both on this painting.  I painted the sides of the cradle with a mixture of Phthalo blue and Quinacridone red and drug some of the paint up onto the green (after the green had dried).  I like the effect!

Saturday, February 25, 2012

Painting Ponies

I have embarked on a pony ride adventure of a different sort.  Growing up, I was obsessed with horses.  I drew them, subscribed to magazines, read books about them, bought figurines of them, and eventually wore my parents down to buying me one.  Simba was my Pinto, and this is one of the horse paintings painted with her in mind.  She bucked and threw me once or twice, but I did love her and she was beautiful.  Thank you, Simba.

Sunday, November 27, 2011

The Sentinel

6x6
Oil on Board
Happy Thanksgiving!  It's been a busy holiday, and I have been cooking, cleaning, cooking, resting, painting, cleaning again, resting again ... wow...  I'm exhausted!  When I take photos of the figure paintings I worked on this weekend, I will post them.

I painted this little guy a while back.  I just love meercats.

Wednesday, November 16, 2011

Mosaic Hippo

Oil on Fabriano Tela Oil Paper
7 x 9 1/2
This is the first post on my daily painting blog.  The reason I named the blog "Mosaic Hippo" is, well, because this hippo painting is the first painting to kick off this blog.  But I do have to give credit to my friend Cindy who suggested it.  My son Brendan concurred that it was a catchy blog name as opposed to "Donna Weathers' Paint Blog" or "Donna's Daily Paintings".  Yawn ... 

I work full-time, so my painting time is limited.  I try to paint every morning when I get up, and sometimes after I get home from work.  However, it is still not enough time, but it is what I have outside of the weekend, so I decided my lunch hour can be another slot of time to paint!

So, this is my first "lunch hour" painting.  I took on a Daily Challenge from Daily Paintworks. The challenge was posted by blogger artist Mary Douglas.  Basically, you choose your subject (in my case, a photo of a hippo), and limit your strokes to only painting rectangles.  Additionally, you adjust the color of each subsequent rectangle stroke.


I LOVED this challenge, and the results of the Mosaic Hippo.  I told my son how much I enjoyed it, and he educated me with a quote by T.S. Elliot that makes a lot of sense: “When forced to work within a strict framework the imagination is taxed to its utmost – and will produce its richest ideas. Given total freedom the work is likely to sprawl." — T.S. Eliot

I will be doing this challenge again!